The talented musician, a key member of the pioneering 1980s synth-pop duo Soft Cell, has died at the age of 66.
Alongside vocalist Marc Almond, the duo achieved a global success with their cover of Gloria Jones' the classic track Tainted Love in the mid-80s, and their first record their initial full-length release is regarded as a seminal work of synth-pop.
He subsequently founded the pioneering electronic act The Grid, who achieved chart success with their 1994 single Swamp Thing.
Ball passed away peacefully in his rest at his home in London on October 22, only a short time after performing a featured performance with Soft Cell at the Rewind music event in Henley-on-Thames.
During that performance, Ball performed in a mobility chair, as he had for the previous couple of years, after a spate of ill-health.
"I ended up injure myself quite a bit," he commented in a recent interview. "I broke spinal bones in my back and fractured about multiple ribs and fractured my arm."
Following contracting pneumonia and developing sepsis, he was put in an induced coma and stayed in the hospital for seven months.
Nevertheless, he had been in "a great place emotionally" over the warmer months, as he worked on a fresh record with Almond, called the upcoming Danceteria, which is set for publication in the coming year.
"He was focused and very pleased with the new album that we actually finished only a few days ago," said the vocalist in a tribute.
"It's so sad as next year was all set to be such an positive time for him, and I find comfort from the fact that he listened to the completed album and believed that it was a masterpiece."
Almond referred to his bandmate as "a wonderfully brilliant creative mastermind", adding: "He was the heart and soul of Soft Cell and I'm very proud of our legacy.
"Thank you Dave for being an significant aspect of my existence and for the songs you created with me. I wouldn't be where I am without you."
His Grid bandmate from The Grid, shared his condolences, recalling Ball's "constant humor" and "unwavering friendship".
"Forming a partnership with someone is different from joining a band, the connection is very tight," he continued.
"That was the case with us. We went through so many extraordinary, extraordinary, life-affirming moments together. Many thanks, Dave."
Born into a one-parent family in Chester in the late 50s, Ball was put up for adoption when he was 18 months old.
He grew up in Blackpool with his new family his caregivers, who altered his given name from his birth name to his adopted name, together with his younger sister his sister, who was similarly welcomed.
He encountered Almond at Leeds Polytechnic in the late 70s, where they were both studying fine arts. Inspired by a shared love of a music genre, they formed Soft Cell the same year, and quickly produced an extended play.
The pair were an distinctive combination: Ball was the reserved musician, hunched over his synthesizer, while Almond was a charismatic performer, all sparkle and makeup; but they attained a unique creative synergy.
Ball had developed a fascination with synthesizers after watching the band Kraftwerk appear on BBC science show Tomorrow's World, and started to marry moody electronic sounds to the catchy tunes Almond was composing.
Their signature song became the United Kingdom's second biggest-selling song of the early 80s, shifting millions of copies globally. Alongside successful tracks by Gary Numan, Human League and Ultravox, it contributed to paved the way for the synth-pop sound of the 1980s.
The song was also featured on their first album, their initial LP, which spawned two additional top five hits: Bedsitter and Say Hello, Wave Goodbye.
They continued the album up with the separate release, Torch, which reached at number two in the following year.
Fame had its benefits. "I enjoyed being able to afford my initial property, having money and exploring, which makes me sound like a beauty queen," Ball recently shared with a music magazine.
But it also presented challenges. "Sudden riches meant we could afford newfound drugs to alleviate the monotony" of media interviews and TV performances, Ball explained.
"I realize that's a cliché, but it's a truism for a valid cause, because it applies for so many musicians."
During the hedonistic lifestyle, the pair were also growing distant, but they succeeded to produce a second classic album - the unconventional, tense and fittingly named The Art Of Falling Apart.
They put out one more LP, their 1984 release This Last Night In Sodom, before ending the band to focus on individual endeavors.
Almond proceeded to have a prosperous solo career, featuring the chart-topping single Something's Got A Hold Of My Heart; while Ball created The Grid, who combined acid house with ambient pop over a long-lasting partnership.
Soft Cell reunited in the early 2000s, releasing the charting record Cruelty Without Beauty.
Following another hiatus, they reappeared in 2018, issuing the new tracks Northern Lights and Guilty (Cos I Say You Are) before staging what was supposed to be a final performance at the large venue on September 30, that year.
Yet, they remained together, recording their latest project, Happiness Not Included, during the pandemic restrictions.
Ball recently characterized the duo's new album as a homage to the New York club scene they visited while recording their first two albums.
He added that his time in hospital had influenced the group's music.
"I experienced strange recollections when I was in and out of hospital because I was on pain medication," he told a publication.
"The new songs are a electronic representation of the sounds in my mind from that time.
"In parallel, it's about the experiences me and Marc got up to in the 80s."
The final mixes were completed only days before Ball died. It is due for release in the spring of 2026.
Alex Sterling is a tech enthusiast and lifestyle blogger with a passion for exploring the intersection of technology and daily living.