An activist organization has claimed to have harvested millions of songs from Spotify and is getting ready to release them online.
Observers said the seeming data breach could aid artificial intelligence firms searching for material to train their models.
An entity called Anna’s Archive reported it had scraped 86 million music files from Spotify and 256 million entries of metadata such as artist and record names. The company, which hosts more than 100 million songs, confirmed that the breach did not represent its entire inventory.
“We have identified and deactivated the malicious user accounts that were involved in unlawful scraping,” stated a company representative.
The Swedish company, which has more than 700 million subscribers worldwide, further explained that an inquiry into unauthorised access identified a external actor scraped public metadata and employed illicit methods to bypass DRM protections.
Spotify does not believe the audio acquired by Anna’s Archive has been made public yet. Anna’s Archive, which is recognized for providing links to pirated books, wrote in a blog it wanted to create a ‘historical repository’ for music.
They asserted the music files represented 99.6% of all music listened to by Spotify users and would be shared via ‘torrents’, a method of exchanging large data files online.
“Of course the service doesn’t have all the music in the world, but it’s a fantastic start,” commented Anna’s Archive, which describes its mission as “safeguarding humanity’s knowledge and culture”.
A composer and campaigner for protecting artists’ rights, remarked the leaked music would probably be utilized for training artificial intelligence systems.
“Educating models on illegally sourced data is unfortunately common in the tech sector, so this stolen music is almost certain to end up instructing AI models,” he stated.
The Anna’s Archive site makes references to a large online archive, a vast online repository of pirated books that has reportedly been used by Meta to develop its systems.
A founder of an artificial intelligence company posted on LinkedIn that individuals of the public could in principle “build their own private free version of the service”. The executive said it could also allow tech companies to “train on modern music at a large volume”.
Copyright has emerged as a battleground between artists, writers and creatives on one side and AI companies on the other.
Across Britain, creative professionals have protested against a government proposal to allow AI companies use copyright-protected work without consent unless the rights holder opts out. Almost every respondent to a government call for evidence on the proposal has supported artists’ apprehensions.
The secretary of state for science, innovation and technology informed parliament this month there was “little consensus” on the matter, adding that ministers would “use the time to get this correct”. The administration has committed to make regulatory plans on AI and copyright by next year.
Alex Sterling is a tech enthusiast and lifestyle blogger with a passion for exploring the intersection of technology and daily living.